Fausto (Víctor Cuéllar, Danza Contemporánea de Cuba, 1994)
Pájaro dorado (Nereyda Doncel, Danza Contemporánea de Cuba, 1994)
El cruce sobre el Niágara (Marianela Boán, Danza Contemporánea de Cuba, 1995)
Terriblemente inocente (Lídice Núñez, Danza Contemporánea de Cuba, 1995)
La goma (Jorge Abril, Danza Contemporánea de Cuba, 1995)
C. C. Canillitas (Jorge Abril, Danza Contemporánea de Cuba, 1996)
El abanico (Isidro Rolando, Danza Contemporánea de Cuba, 1996)
Omawë (Isidro Rolando, Danza Contemporánea de Cuba, 1996)
La tempestad (Lídice Núñez, Danza Contemporánea de Cuba, 1997)
La cueva de cristal (Lídice Núñez, Danza Contemporánea de Cuba, 1998)
Fabio (Lídice Núñez, , Danza Contemporánea de Cuba, 1998)
Aves (Jorge Alcolea, Grupo Retazos & Danza Contemporánea de Cuba, 1998)
Si te mueres, te mato (Lídice Núñez, Danza Contemporánea de Cuba, 1998)
Trastornados (Lídice Núñez, Danza Contemporánea de Cuba, 1998)
Pedro y el lobo (Ballet Ecuatoriano de Cámara, 2000)
Libertango (Ballet Ecuatoriano de Cámara, 2001)
Agustín Lara (Isabel Bustos, Retazos, 2001)
Las lunas de Lorca (Isabel Bustos, Retazos, 2001)
Rosas y herencias (Isabel Bustos, Retazos, 2001)
Entre luces y columnas (Isabel Bustos, Retazos, 2001)
El viaje (Isabel Bustos, Retazos, 2001)
Augurios de primavera (Jorge Alcolea, Retazos, 2002)
Vegetariano (Riuben Hernández, Retazos, 2002)
Peces en las manos (Isabel Bustos, Retazos, 2003)
No me toques el secreto (Carlota Pérez, Experimenta Danza, 2004)
Nuestros sueños en un baúl (Carlota Pérez, Experimenta Danza, 2004)
Meltemi (Damián Muñoz, Experimenta Danza, 2005)
Un vaso olvidado (La Intrusa, 2005)
Staff (La Intrusa, 2005)
En la cuenca de tus ojos (Entremans, 2006)
Patada de mulo (Entremans, 2006)
Desert (Memory Wax, 2007)
Vacuo (Maruxa Salas, Centro Coreográfico Galego, 2007)
Ven (La Macana, 2008)
Concerto desconcerto (Entremans, 2009)
Shure PG48 (La Macana 2009)
Sometimes (La Macana, 2010)
En el país de las sombras (Memory Wax, 2011)
Cola de Gallo (La Macana & Ember, 2011)
No Title Yet (La Macana, 2012)
Drown the road (La Macana 2013)
Alfa (La Macana, 2013)
Out of body (Julio César Iglesias, Schauspielhaus Bochum, 2013)
The Family (Julio César Iglesias, Pottporus Renegade, 2014)
Ruhr-Ort (Susanne Linke, Schauspielhaus Bochum, 2014)
Campo Magnético (Félix Fernández, RPM, 2015)
Ruhm (Neco Çelic, Schauspielhaus Bochum, 2015)
Invisible Wires (Julio César Iglesias, La Macana, 2016)
Everyness (Wang Ramirez, Francia, 2016)
Sleep with the lights on (Mute Company, Dinamarca, 2017)
Together (LaMacana & Andrea Quintana, 2017)
Pink Unicorns (La Macana, 2018)
Inventasy II (Stephanie Thiersch, Mouvoir, 2019)
Inventasy III (Stephanie Thiersch, Mouvoir, 2019)
Bilderschlachten / Batailles d’Images (Stephanie Thiersch, Mouvoir, 2019)
Keep going (La Macana, 2019)
It’s a wrap (La Intrusa, 2020)
Inventasy IV (Stephanie Thiersch, Mouvoir, 2020)
Insular Bodies (Stephanie Thiersch, Mouvoir, 2020)
Navigating the Ruins of the Old World (Uriel Barthélémi & Salomon Baneck-Asaro, 2021)
Bladerunner! (Julio César Iglesias & Hans van den Broeck, 2022)
Inventasy IX (Stephanie Thiersch, Mouvoir, 2023)
Towards (La Macana, 2023)
Sleepwalkers (La Macana, 2023)
En la cuenca de tus ojos (Entremans, 2006)
Patada de mulo (Entremans, 2006)
Ven (La Macana, 2008)
Concerto desconcerto (Entremans, 2009)
Shure PG48 (La Macana 2009)
Sometimes (La Macana, 2010)
Cola de Gallo (La Macana, 2011)
Cobardes (La Macana , CSD María de Ávila, Madrid, 2011)
No Title Yet (La Macana, 2012)
Chuck & Bruce (Thomas Noone Company, 2012)
Alfa (La Macana, 2013)
Lust (Pottporus/Renegade, Alemania, 2013)
Kid Chocolate (Rakatán, Cuba, 2014)
7 pecados capitales (La Mov, Zaragoza, 2015)
Kid Chocolate (Rakatán, Cuba, 2014)
Vamos Cuba (Rakatán & Sadler’s Wells, Cuba, Londres, 2014)
De punta a cabo (Carlos Acosta Company, Cuba, 2016)
Together (LaMacana & Andrea Quintana, 2017)
Pink Unicorns (La Macana, 2018)
Keep going (La Macana, 2019)
Damn dance (La Macana, RCPD Mariemma, 2022)
Towards (La Macana, 2023)
Sleepwalkers (La Macana, 2023)
Primer Premio V Concurso Juvenil de Danza Moderna (La Habana, 1993)
Grand Prix Masculino en Danza Moderna (La Habana, 1994)
Grand Prix “Vento en Danza” (Brasil, 1994)
Grand Prix “Vento en Danza” (Brasil, 1995)
Primer Premio “Alas de la Danza” (Ecuador, 2000)
Primer Premio Certamen Coreográfico de Galicia (2006)
Primer Premio Certamen Internacional de Coreografía Burgos – New York (2006)
Primer Premio Certamen Coreográfico de Galicia (2007)
Primer Premio Certamen Coreógrafico de Madrid (2008)
Premio del Público Certamen Coreógrafico de Madrid (2008)
Premio CSDMA Certamen Coreográfico de Madrid (2008)
Premio B-Motion Certamen Coreográfico de Madrid (2008)
Premio de la Crítica Certamen Coreógrafico de Madrid (2008)
Premio SGAE Certamen internacional de danza Burgos – New York (2010)
Cuban–Spanish dancer and choreographer based in Galicia. Graduated from the National Art School of Havana, he has a well-known career both in his country of origin, Cuba, and in Spain, his place of residence for over a decade. Awarded repeatedly for his work as a dancer and a creator, Alexis has danced in national companies and as part of independent projects.
His career took him from country to country, giving him the time to build his own style as a dancer. He has danced for National Dance Company of Cuba, Ecuadorian Ballet and the Cuban company Danza Retazos in America. Since he arrived in Europe almost twenty years ago he has been collaborated as a dancer with several choreographers as La Intrusa, Julio César Iglesias Ungo, Maruxa Salas, Susanne Linke, Neco Celic, Kasper Ravnhøj, Wang Ramirez, Stephanie Thiersch and Hans Van den Broeck.
Awarded in several times (Grand Prix of Havana, Grand Prix Vento en Danza of Brazil, First Award Alas de la Danza of Ecuador, First Prize at Choreographic Contest of Madrid and SGAE Prize at Burgos-New York Choreographic Competition).
Since 2009, he has created different pieces for his own company La Macana. A company run by the Galician artist Caterina Varela and himself. Together they signed several choreographies as well as they have been invited as choreographers for other companies as Thomas Noone Dance Company or La Mov in Spain. Many of these pieces were co-produced with different European and American organizations, and they found opportunities to be staged in different countries around the world in the last fifteen years.
He has also been developing his teaching role for years in several schools and international festivals. He also worked as choreographer for Rakatan Company at the Sadler’s Wells in London and as collaborator for the French drummer & electro-acoustic musician Uriel Barthélémi.